TL Drum Rehab Minimum and Maximum Threshold Controls
Adjust the Minimum and Maximum Threshold controls to determine the minimum and maximum amplitudes for detecting triggers. The Minimum Threshold control is to the left of the Velocity Map and the Maximum Threshold control is to the right. The Minimum Threshold control is useful for filtering out bleed through hits (like the snare bleed through on a kick track) so that you only get the triggers you want.
The Minimum and Maximum Threshold controls also set the amplitude range within which Velocity Zones trigger samples.
Enable the Listen button to “listen” for triggers in TL Drum Rehab. When Listen is disabled, TL Drum Rehab only plays back Committed triggers (see TL Drum Rehab Commit Button). For most uses of TL Drum Rehab, Listen is enabled.
Enable the No Latency button to play back committed triggers with 0 samples of latency. No Latency mode ensures sample accurate drum replacement. This is useful when Delay Compensation is disabled in Pro Tools (Options > Delay Compensation), or for use with Pro Tools or lower versions of Pro Tools that do not provide Delay Compensation. When No Latency mode is enabled, only committed triggers play back and Listen is deactivated.
The Trigger panel provides global playback controls for input gain (track audio), sample playback gain, ducking, dynamics, and A/B blend. All playback controls can be automated.
Controls the playback gain of the source track audio. This is like a Dry Mix control. The range of the Input control is between –40 dB and +20 dB.
Controls the playback gain of samples loaded into Velocity Zones. This is like a Wet Mix control. The range of the Samples control is between –40 dB and +20 dB.
Controls the amount of gain reduction applied to the input audio when a sample is triggered. This is like a balance control, letting you adjust exactly how much the track’s audio is suppressed by the samples triggered by TL Drum Rehab. The range of the Ducking control is between –40 dB and 0 dB.
Controls the dynamic response of sample playback and scales the playback velocity of the triggered sample to the detected amplitude of the audio on the track. The range of the Dynamics control is between 1% and 100%. When the Dynamics control is all the way to the left, it is off and samples play back at their original amplitude with no gain scaling. The Dynamics control is especially useful if you are triggering a single sample or only a few Zones, but you want more dynamic response on playback than the number of Zones and loaded samples provide.
Controls the mix between samples loaded into Positions A and B in the Samples panel (see Position A/B). For example, Position A could have one center hit snare sample and position B could have another center hit snare sample of a slightly different color. Mixing between the A and B positions helps give triggered samples a fuller sound by blending alternate samples.